Analogy Examples

Here analogy examples and great analogies explained so you can use them as tools in your writing. There is nothing like an example of analogy to help you in your songwriting.

An analogy is a comparison between two different things so you can point out something about how they are similar. The comparison often is done point by point.

It often is done to explain something not well known by describing something that is known so you can generalize the information from what you already understand to the new thing.

Its a way to provide insight by suggesting existing similarities suggest that there are even more points that are similar.

Using analogies helps the reader to see the logic in your example, perhaps create a visual awareness of what you are talking about and helps them verbalize and understand your suggestion. It transfers information from one particular subject to another.

It does this by inferring the similarity. It does not prove the similarity such as making deductions. What you generally demonstrate is how "a" and "b" is similar somehow to the relationship between "c" and "d".


Here are some more specific example of analogy:

1. glove is to hand as monitor is to computer

2. surfs are to a king as earth is to the sun

3. furs were to north american aboriginals as credit is to a shopper

Notice how there are similarities in the terms used first and the ones that they are compared to. A glove has a similar relation to a hand just as a monitor has to a computer.

Surfs, by similar logic, are similar to the earth, and furs served a similar function in north american aboriginals cultures as credit provides in our shopping world of today.

Analogies show similarities in relationships that you might not first realize but they can be taken too far. At some point if you continue the comparison in too great of detail your comparison breaks down.

You are pointing out similarities, not proving they are exactly the same. They are only suggestions, they do not prove anything but just point out similarities that you might not have noticed.

Analogies are different than metaphors. Analogies set up examples of similar relationships between two things but don't show total likeness. A metaphor does. It tries to turns one thing into another.

In your writing you have to decide how far do you want to go with your example of analogy. Do you just want to show a comparison or do you want to turn one thing into another?

Both have their place. But you must think of the impact on your listeners or readers, use an example of analogy to see what best fits your needs.

Analogies let one object you're comparing have some baggage that doesn't automatically get forced on to the other. A simile also allows you this leeway as you are only saying one thing is "like" another.

But use a metaphor and your second object has to wear all good and the bad baggage in the comparison. Think of the impact when you choose which to use. Hopefully analogy examples will assist you.

Top 10 Violin Concertos of All Time

Top 10 Violin Concertos of All Time








If you’re looking for objectivity, you won’t find it here. I’m a psychologist by profession and an amateur violinist. So the following list and the explanations are purely subjective, not the opinion of a professional musician or musical scholar, and will probably change by the time I finish writing this. Nevertheless, as of today, here are the top 10 violin concertos of all time (in rank order), and why I think so.

Number 1 – Ludwig van Beethoven, Concerto for Violin and Orchestra in D major, Opus 61, written in 1806."The Gentle Giant." A serene piece of music made of the simplest materials but of immense scope and structure. One of the greatest cultural achievements of Western civilization. Listen particularly for the 5-beat element present almost everywhere in the 1st Movement.

Number 2 – Peter Ilyich Tchaikovsky, Concerto for Violin and Orchestra in D Major, Opus 35, written in 1878."A true blockbuster." This is the most popular violin concerto ever written, and with good reason. Written in a burst of happy inspiration, it has been on the best-seller list of audience favorites for over 125 years, and shows no signs of disappearing.

Number 3 – Johannes Brahms, Concerto for Violin and Orchestra in D Major, Opus 77, written in 1878."Depth and romanticism." The ideal combination of classical form and romanticism from the unique voice of classical music’s most introspective poet. He had to have been in love when he wrote this one.

Number 4 – Niccolo Paganini, Concerto for Violin and Orchestra No. 2 in B minor, Opus 7, written in 1826."Dramatic, theatrical, virtuosic, and seductive." Italian opera with the violin solo as a kind of super-soprano voice. You can almost see the curtains opening at the opening orchestral introduction. The ultimate combining an operatic aesthetic with spectacular instrumental virtuosity by perhaps one of the greatest virtuosos and underrated composers of all time.

Number 5 – Jean Sibelius, Concerto for Violin and Orchestra in D Minor, Opus 47, written in 1903."Emotional, majestic, and exciting." This has been an audience favorite ever since it was popularized by the great Jascha Heifetz. The rugged nature of the two outer movements is in complete contrast to the exquisite beauty of the slow movement, which has a long melody played only twice.

Number 6 – Felix Mendellsohn, Concerto for Violin and Orchestra in E Minor, Opus 64, written in 1844."Seamless elegance and heart." The model of what a violin concerto should be. Pure song from beginning to end. It actually sounds as if it was never actually “composed,” but always existed in the atmosphere somewhere, only to be plucked out of the sky by Mendellsohn and written down for others to play.

Number 7 – Bela Bartok, Concerto for Violin and Orchestra #2, written in 1939."Animalistic fury from the heart of the Eastern European backwoods." This concerto is simultaneously in classical sonata form, a theme and variations, and with all of the inspiration of an improvised fantasy. Its nature is deep and stark, just as the turmoil of the world the composer lived in.

Number 8 – Dmitri Shostakovich, Concerto for Violin and Orchestra, #1, Opus 99, written in the 1950’s."The darkness of the 20th Century." Unusual in being in 4 movements, whereas most concertos are in 3. Introspective and vibrant. The 3rd Movement, “Passacaglia,” is a theme and variations of almost agonizing intensity.

Number 9 – Edward Elgar, Concerto for Violin and Orchestra in B Minor, Opus 61, written in 1910."Victorian pomp and emotional sensitivity all rolled into one." This is one of those “old-fashioned” concertos that keeps popping up as timeless. The depth of emotion, genuine sentimentality, regal dignity, and consummate virtuosity inherent is this music is all perfectly combined and direct from the composer’s heart.

Number 10 – Wolfgang Amadeus Mozart, Violin Concerto #4 in D Major, K. 218, written in 1775."Purity, song, and perfection." How can you have a top-10 list and not include Mozart? In fact, how can Mozart possibly have sunk to 10th place? The 3rd and 5th Concertos may be more popular, but to me this one has such sheer beauty, liveliness, and heart, that it never fails to move me.






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